here's a little insight into how house of cards is shot.
Almost every single frame of this show is composed to place a pale blue object in the foreground with a pale yellow light in the background. Now, sometimes the foreground object is more black than blue, sometimes the background veers toward a sickly green, sometimes they're outside and the background is necessarily blue or black sky, but once you begin noticing this particular habit of the House of Cards color pallete, it is hard to unsee. (via)here's a podcast interview with the show's cinematographer.
on a related note, here's a list of ten films matthew weiner made required viewing for the cast & crew of mad men. jicydak, there's a big mad men exhibition opening march 14 at the museum of the moving image (shoutout flim).
