It should really come as no surprise — Beyoncé has made a career of impeccability, even as she’s swum in pop waters that no longer demand such a thing. But no longer is she interested in taking the temperature of the room. This week she releases “4” (Columbia), her fourth solo album, and one that all but relinquishes Beyoncé’s claim to the pop here and now.
She must be relieved. As modern as Beyoncé has allowed herself to be over the years, from tech-savvy club R&B with Destiny’s Child to the insistent pancultural stomp of “Run the World (Girls),” on this new album, she has always been a torch singer in waiting, anticipating the day when she could just get down to business. (via)
agreed. here's a bit of her glastonbury performance that everyone's talking about. stick around for the second song to see some classic beyonce dancing.
1 comment:
you guys, this beyonce album is the serious tits.
you owe it to yourself to pay close attention.
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